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KERRI SIMPSON
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Kerri Simpson

 

“Kerri Simpson sings the Blues like Kerri Simpson, not imitating but initiating,

singing from the heart. Whatever genre of music Kerri places her vocal

abilities in, she mixes all she’s absorbed in her life and musical experiences

and develops her own unique sound which comes straight from her soul.”

Paul Parello, Radio WRMN Chicago

Few singers anywhere have so successfully traversed musical genres as Kerri Simpson.

The woman dubbed as “Australia’s own Blues diva” by Bruce Elder of the Sydney Morning

Herald has made herself a home in a myriad of genres. This led MHS critic Lee Howard

to write of her commanding vocal abilities “Kerri Simpson could sing the phone book and

knock an audience out!”

Renowned for her ability to effortlessly own whatever genre she cares to, Simpson is also

a dab hand at composing tunes in diverse genres and on Fortune Favoured Me, as with

previous releases, she collaborates with a stellar line up of musicians. Fortune not only

highlights Simpson’s extraordinary vocal command and range, it showcases her production

and writing skills with tracks co-written with Matt Walker, Jeff Lang, Geoff Achison,

Shannon Bourne and Charles Jenkins.

Fortune Favoured Me is the second release of Simpson’s ‘Knockin’ at the Backdoor’

series which she kicked off with Maybe by Midnight, which saw Kerri and her band

‘The Prodigal Sons’ knockin’ on country music’s backdoor. Simpson has honed her writing,

arrangement and production skills working on the series by recording over 40 tracks in

various genres for future release at Thirty Mill studios.

Crossing over into world music, Simpson’s Vodou: Songs of the Spirits was Rhythms

Magazine’s World Music Album of the Year. It is in the roots music field that Kerri is really

at home. Her 2003 award-winning blues and gospel album Sun Gonna Shine stayed in

the Australian roots charts for nine weeks.

Kerri spent her formative years as a musician playing and writing in the US and Europe,

Her blues albums are showcased on Chicago radio and receive regular airplay there.

She recorded Confessin’ the Blues with a host of the country’s finest players. The CD

received airplay in the US, Canada, Europe and Australia, and was nominated in the 1999

ARIA Awards. After the band’s showcase at the East Coast Blues and Roots Festival, Patrick

Donovan from The Age dubbed Kerri “Australia’s Queen of blues” and the band “one of the

country’s finest blues bands” their overall performance as a “highlight of the festival”.

Shortly after, Kerri supported Dr John and Keb Mo on their national tour. As a result of that

release and her previous work in New Orleans, Kerri was invited to perform with Norman

and Ricki Caesar, Jason and Aaron Neville Jnr at the 1999 Jazz and Heritage Festival,

making Kerri one of the few Australians to appear at the prestigious festival, and the first

Australian female to perform there.

In the 90s her original rock albums inspired author and music critic Andrew Masterson

to compare her to “Patti Smith with a glass of scotch in one hand”. She was featured

alongside Beth Orton on Fritz radio in Berlin when her The Arousing CD was their number

one. Her dance records Higher and Kiss Her Goodbye saw her compared to Patti la Belle

and Chaka Khan. They became popular on the London underground dance scene and she

toured Australia supporting Kylie.




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